Smithing Materials are a type of Item in Nioh 2. Smithing Materials are used by the Blacksmith to forge and/or upgrade various Weapons and Armor. These materials can be obtained in various ways, such as rewards from completing Missions, dropped by Enemies, Bosses, randomly looted at various locations, or found inside chests. This page covers a full list of all the Smithing Materials in Nioh 2 which includes information regarding their use and properties on each individual page linked below.
Smithing Materials in Nioh 2
Name & Icon |
Description |
Materials |
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A tool used for remodeling equipment. | Bladed Horn x1 |
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Standard steel made using the ore in black sand. | -- |
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Good quality steel made using the ore in black sand. | Tamahagane x10 |
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High-quality steel made using the ore in black sand. | Quality Tamahagane x7 |
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Premium quality steel made using the ore in black sand. | High-Quality Tamahagane x5 |
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Standard wood used for making weapons. | -- |
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Quality wood used for making weapons. | Wood x10 |
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High-quality wood used for making weapons. | Quality Wood x7 |
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The highest quality of wood used for making weapons. | High-Quality Wood x5 |
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A standard iron ingot obtained through the traditional smelting process. | -- |
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A quality iron ingot obtained through the traditional smelting process. | Ingot x10 |
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A high-quality iron ingot obtained through the traditional smelting process. | Quality Ingot x7 |
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An iron ingot of the highest quality obtained through the traditional smelting process. | High-Quality Ingot x5 |
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Standard lacquer that was refined by heating and filtering the sap of the lacquer tree. | -- |
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Quality lacquer that was carefully by heating and filtering the sap of the lacquer tree. | Lacquer x10 |
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High-quality lacquer that was patiently refined by heating and filtering the sap of the lacquer tree. | Quality Lacquer x7 |
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The highest quality lacquer that was meticulously refined by heating and filtering the sap of the lacquer tree. | High-Quality Lacquer x5 |
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A long, thin strip of standard leather cut from a tanned animal hide. | -- |
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A long, thin strip of quality leather cut from a tanned animal hide. | Leather Cord x10 |
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A long, thin strip of high-quality leather cut from a tanned animal hide. | Quality Leather Cord x7 |
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A long, thin strip of the highest quality of leather cut from a tanned animal hide. | High-Quality Leather Cord x5 |
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Small sheets of standard leather, perforated and connected together. | -- |
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Small sheets of quality leather, perforated and connected together. | Leather Platelet x10 |
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Small sheets of high-quality leather, perforated and connected together. | Quality Leather Platelet x7 |
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Small sheets of the highest quality leather, perforated and connected together. | High-Quality Leather Platelet x5 |
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Small sheets of standard plate iron, perforated and connected together. | -- |
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Small sheets of quality plate iron, perforated and connected together. | Iron Platelet x10 |
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Small sheets of high-quality plate iron, perforated and connected together. | Quality Iron Platelet x7 |
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Connected iron plates, carefully selected for high durability and a beautiful external appearance. | High-Quality Iron Platelet x5 |
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Rods of solid Amrita, these horns protrude from the heads of demons, and are the source of the creature's strength. | |
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A spirit stone crystal in the shape of a human arm. | |
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A forging material used by blacksmiths | |
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This radiant lock of damp hair was found in the remains of defeated Nure-Onna. | |
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This large tooth was taken from the lower jaw of an Ippon-Datara. | |
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This twisted bone can be recovered after defeating a Gaki. | |
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This enormous claw has been removed from the front foot of a Waira. | |
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This bladed horn was removed from the head of a Yatsu-no-Kami. | |
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The shell of a Kappa, used by blacksmiths for forging. | |
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This feather is so black as to be invisible in the darkness. | |
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A lock of hair left behind by vanquished Yamanba. | |
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A wick found on rare occasions amongst the remains of slain Koroka. | |
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These sickle-blade fragments originate from the arms and tail of the Kamaitachi. | |
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A yokai material believed to have once been the eye of a Mitsume Yazura. | |
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A yokai material taken from Enki. | |
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A forging material used by blacksmiths. A yokai material taken from Gozuki. It is said that the source of a yokai's power lies in its horns, and if that is indeed the case then Gozuki, with its bull's head and huge horns, possesses a truly frightening amount of power. |
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A forging material used by blacksmiths. A yokai material taken from a Dweller. Tough and flexible skin, much like tanned leather, that no longer resembles the skin of a human. |
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A forging material used by blacksmiths. A yokai material taken from a Dweller. Tough and flexible skin, much like tanned leather, that no longer resembles the skin of a human. |
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A forging material used by blacksmiths. A yokai material taken from the Nurikabe. It is a piece of the yokai that broke off before it was defeated, thus it did not vanish along with it. The fragment is extraordinarily dense, making it very heavy despite its small size. |
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A forging material used by blacksmiths. A yokai material taken from the One-eyed Oni. This cloth is usually found wrapped around its waist and as it been in close proximity to a yokai, it is tainted with a powerful dark energy. |
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A forging material used by blacksmiths. These small pearls that glow with an eerie green light can occasionally be recovered after the defeat of a Toxic Slime. They may look beautiful, but touch them at your peril. They are highly poisonous which makes them ill-suited for use in jewelry or accessories. |
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A forging material used by blacksmiths. These small pearls that glow with an eerie green light can occasionally be recovered after the defeat of a Toxic Slime. They may look beautiful, but touch them at your peril. They are highly poisonous which makes them ill-suited for use in jewelry or accessories. |
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Used for tempering equipment. When fed into a furnace, this umbracite produces flames laced with Amrita, and is used by smiths who harness Amrita to forge equipment. This special charcoal forms when a tree is exposed to Amrita. |
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Used for tempering equipment. When fed into a furnace, this umbracite produces flames laced with Amrita, and is coveted by smiths who harness Amrita to forge equipment. This special charcoal forms when trees used to make high-quality fuel are exposed to the power of Amrita. |
Umbracite x7 |
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Used for tempering equipment. When fed into a furnace, this highly sought-after umbracite produces flames laced with Amrita, making it the ideal fuel for forging prestigious Amrita-infused equipment. |
Quality Umbracite x3 |
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Used for tempering equipment. When fed into a furnace, this highly pure umbracite produces flames laced with Amrita, making it a prized fuel of smiths who use amrita to forge exceptional equipment. |
Fabled Umbracite x3 |
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A forging material used by blacksmiths. A yokai material taken from Skeletal Warriors. The sacrum is a large triangular bone that is situated at the base of the spine, although this one is much thicker and tougher than a normal one. It is thought that the bones of a skeletal warrior are held together and strengthened by the deep-seated grudges that these yokai nurse. An individual with enough skill can work these bones into very tough armor and weapons. |
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A forging material used by blacksmiths. A yokai material taken from the Rokurokubi. A long, thin vertebra that resembles nothing like that found in any other living thing. Bathed in Amrita, samples of the bone have been found in various lengths, indicating that its original owner can extend and contract its vertebrae at will. |
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A forging material used by blacksmiths. A yokai material taken from the Snowclops. This loincloth is enveloped with bone-chilling cold. The cloth is actually a physical manifestation of the spirits of the fallen ice and snow deities that eventually become Snowclops. |
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A forging material used by blacksmiths. A yokai material taken from Aberrant Soldiers. A Spirit Stone housing an ominous spirit that can possess people, granting them dark powers. Humans are easily enthralled by the mysterious glow and shimmer of the stone. |
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A forging material used by blacksmiths. A yokai material taken from the Biwa Boku-boku. It is an implement used to pluck stringed instruments such as the biwa. This one has been made from incredibly rare wood and its bewitchingly beautiful craftmanship makes it obvious that it was made by a true master. |
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A forging material used by blacksmiths. A yokai material taken from Mezuki. It is a sawtooth that has fallen off the large saw wielded by Mezuki, caked in the blood of its victims. |
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A forging material used by blacksmiths. A yokai material taken from a Kamaitachi which, while not very sharp, is incredibly tough. Kamaitachi can bite through stone and metal, leaving even the most sturdy material in shreds. |
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A forging material used by blacksmiths. A yokai material taken from the Tatarimokke. A strong, sharp beak capable of piercing any object. These properties make it a highly prized material for crafting weapons, but great skill is required to work with it as even the slightest slip can lead to serious injury. |
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A forging material used by blacksmiths. A yokai material taken from the Oni-bi. This still glowing core is believed to have absorbed the malic and grudges of the people around it, glowing ever brighter with each dark thought. |
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A forging material used by blacksmiths. A yokai material taken from the Spider yokai. A spider's thread is strong, but the thread of a yokai is many times stronger. Even just a few threads are enough to suspend a human in the air without any risk of breaking. |
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A forging material used by blacksmiths. A yokai material taken from the Karakasa Umbrella. Tough and sharp, the bones are used in making coarse oilpaper umbrellas. Perhaps because of their origins, the bones are said to suck the life force out of those who dare to touch them. |
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A forging material used by blacksmiths. A yokai material taken from a Flying Bolt. Despite being a beautifully detailed piece of a white cloth, very few would dare buy it out of fear that it will one day turn into a yokai once more. |
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A forging material used by blacksmiths. |
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A forging material used by blacksmiths. |
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A forging material used by blacksmiths. |
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A forging material used by blacksmiths |
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A forging material used by blacksmiths. |
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A forging material used by blacksmiths. |
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A forging material used by blacksmiths. |
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A forging material used by blacksmiths. |
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A piece of the famed tea kettle owned by Matsunaga Hisahide. It has a faint scorch mark on its surface. Hiragumo was destroyed when its owner died, but even in fragmented form, the love and pride Hisahide felt towards it can be sensed. |
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A piece of the famed tea kettle owned by Matsunaga Hisahide. It has a faint scorch mark on its surface. Hiragumo was destroyed when its owner died, but even in fragmented form, the love and pride Hisahide felt towards it can be sensed. |
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A piece of the famed tea kettle owned by Matsunaga Hisahide. It has a faint scorch mark on its surface. Hiragumo was destroyed when its owner died, but even in fragmented form, the love and pride Hisahide felt towards it can be sensed. |
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A piece of the famed tea kettle owned by Matsunaga Hisahide. It has a faint scorch mark on its surface. Hiragumo was destroyed when its owner died, but even in fragmented form, the love and pride Hisahide felt towards it can be sensed. |
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A forging material used by blacksmiths. This huge tongue was hacked from the mouth of a monster, it continues to thrash around as if possessing will of thought. |
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A yokai material taken from Daidara Bocchi. This is a part of the yokai's body and contains the elemental spirit of the earth. It can be mixed with bonding agents for use in weapons and armor. Equipment made with it is filled with boundless strength, serving their owner until the end of time. |
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A forging material used by blacksmiths. |
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A forging material used by blacksmiths. |
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A forging material used by blacksmiths. |
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A forging material used by blacksmiths. |
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A yokai material taken from a Bakegani. These strong but lightweight pincers make excellent materials for armor. However, they are difficult to work with and require a ritual cleansing to prevent the wearer from being cursed, so precious few (including a particular clan of yokai hunters) ever make use of them. |
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A yokai material taken from Uminyudo. While it may appear to be made of water, it is incredibly resilient, becoming more solid the more force is applied to it. The edge of its blade is as sharp as any razor. It can only be worked with a special technique, and it is said that any sword it produces will be unparalleled in its suppleness and durability. |
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Used when forging divine equipment; obtained after dismantling it. To the untrained eye it just look like a scrap of iron, but it bears the aura of a mysterious and unknown precious metal. | |
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A forging material used by blacksmiths. A yokai material taken from a Nuppeppo. According to legend, the flesh of a Nuppeppo can be used to brew an elixir that grants one great power. Livers are also believed to contain all of the vitality and spiritual power of their owner, making them a prized ingredient in the brewing of various medicines. A Nupeppo's liver is thus a particularly powerful medicinal ingredient, but can just as easily be turned into poison if not handled with the appropriate know- how. |
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A forging material used by blacksmiths. The mane of a Kiryoki that has killed many enemies. The color of the mane changes depending on how long the Kiryoki survives in battle. |
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A forging material used by blacksmiths. A yokai material left behind when the lightning Gods of Yomi depart from this world. This cloth houses a tremendous divine power, but exposure to the underworld has corrupted it, making it extremely difficult to handle. |
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A forging material used by blacksmiths. A yokai material taken from Oboroguruma. Crafted with high-grade materials, this screen was once beautiful, making its current aged and soiled appearance all the more tragic. |
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A forging material used by blacksmiths. A yokai material left behind by Hellish Hags and Underworld Soldiers . Inhabitants of the underworld wear these triangular cloths with a red pattern scrawled on them over their faces, but their meaning in unknown. While it is customary in Japan to hide the face of the decreased with a white cloth, either to protect the dignity of the individual, or to prevent evil spirits from possessing the body. It is unclear whether this bears any relation to the use of these veils by the undead. |
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Kiryoki Mane |
A forging material used by blacksmiths. The mane of a Kiryoki that has killed many enemies. The color of the mane changes depending on how long the Kiryoki survives in battle |
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A forging material used by blacksmiths. A pelt left behind by a Fox Spirit after it died. It is still filled wit the spirit's power, and gives off a faint glow. |
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A forging material used by blacksmiths. A special oil that cna only be gathered from Giant Toad yokai. Armor that has been greased with it will have swords glide off it, swords polished with it will instantly heal. It also works exceptionally well as a lubricant, but its scarcity means that one can seldom get hold of it. |
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Shuten Doji's Red Hair |
A forging material used by blacksmiths. Red hair taken from Shuten Doji that looks as if it is ablaze. Each individual stand has a strange sparkle to it, glowing with a brilliant red, as it it has a life and will of its own. |
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A forging material used by blacksmiths. Fur from the White Tiger, as white snow. It is so tough that it can easily resist the average blade. |
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A forging material used by blacksmiths. A yokai material taken from the Nue, Legends often describe Nue as having legs similar to those of a tiger, but in truth their claws are far tougher and sharper, so sharp in fact that they can easily cut a strand of hair falling through the air in half. |
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A forging material used by blacksmiths. A yokai material taken from Konaki-JiJi. It has the texture of yarn spun from rock and will not burn, even when thrown into a blazing fire. For that reason, cloth crafterd from this hair will fetch a high price, as it can be cleansed pf any grime by simply placing it in a fire. The Cloth emerges in pristine condition with the muck burnt away. |
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Silabar Ingot |
This ingot is made of a special kind of silver that allows you to store and use Amrita easily. The technique of infusing Amrita into silabar is a closely guarded secret of the master smiths who use spirit stones. Only when they are sure beyond any doubt that their customer can be trusted will they accept work involving this prized metal. | |
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A forging material used by blacksmiths. A yokai material taken from Ongyoki. These scraps of fabric cut from the hood and cloak of an Ongyoki are said to possess the power to turn the wearer invisible, although the veracity of this claim has yet to be determined. |
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A forging material used by blacksmiths. A yokai material taken from the Nightmare Bringer. A tusk from the maw located on the lower part of the beast thought to have transformed from a Yumehami, it is a crystallization of compressed Spirit Stones born of innumerable grudges. As well as being incredibly tough, anyone who touches it without the protection of a Guardian Spirit will be plunged into madness, meaning that there are almost no blacksmiths capable of handling the material. |
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A forging material used by blacksmiths. A youkai material taken from Suiki. Coral is considered a precious mineral, regarded as one of the seven treasures in the teachings of Buddhism. It is thought that the Suiki uses coral as a catalyst for conjuring up all manner of dark sorcery. |
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A forging material used by blacksmiths. A yokai material taken from Fuki. This piece of cloth is worn over the Fuki's mouth as part of their attire. The antitoxin and antibacterial properties of the material make it partticularly useful as a mouth covering in ninja masks, preventing one from inhaling any harmful substances. The cloth has supposedly been treated with a special dye, but the benefit of this remains unclear. |
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A forging material used by blacksmiths. A yokai material taken from Itsumadae. The large and sharp tail feathers of an Itsumade make for an excellent weapon crafting materials. However, as any kind of purification rite dull their sharpness, they must be worked with in a unpurified state, a dangerous task that requires that utmost care. |
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A forging material used by blacksmiths. A yokai material that can be found on Yasha. After carrying out the required sequence of actions for a ritual, this nail is driven through an effigy in the likeness of the desired victim in order to strike them with a deadly curse. |